Yellow hair is the most memorable symbol in the poem, and the deranged speaker refers to it repeatedly. Does he have a hair fetish?
The title of the monologue is written in third person, which makes it appear as though a story is going to be told.
Conversely, the monologue is written in first person, from the perspective of the fantasizer. The narrator tells the private story of his feelings towards Porphyria, giving the reader a very invasive and intimate feel as well as bringing the reader very close to the male character.
At first glance, this monologue may not seem to be about necrophilia, because one hopes to find a different interpretation for the symbolism and imagery that Browning bluntly writes. It is not until after carefully analyzing each stanza that this deviant affair becomes apparent.
Stemming from a fear of commitment towards relationships, the narrator panics over his feelings towards Porphyria, resulting in him murdering her.
However her death does not stop his feelings towards her or his sexual desires. The speaker lives in a cottage by the countryside. This scene gives the picture of rural simplicity; a cottage by a lake, a rosy-cheeked girl and a roaring fire.
This subtle warning is easily dismissed, for one may assume that the speaker is just lost in thought or an introverted person who does not always express himself. However in actuality, this line holds great significance because it is the readers first clue that this romance is fairly one sided; Porphyria being in love with the entirety of this man, while he simply loves the idea of her, her beauty and youth, whereas intellectually he cannot stand her.
Browning makes use of a caesura to give the reader a natural pause as well as to show the change in mood and sexual transgression in the poem. This type of abrupt and utter worship would cause anyone to panic, especially a male with commitment issues. Porphyria is obviously very forward in her passionate feelings towards this man, causing him to do what every relationship phobic person would do; run, or more accurately in this case, murder her.
The emotions that this knowledge brings the speaker is overwhelming, causing him to feel: Although this male does not want all the complications that come along with commitment, he does not want or intend to lose Porphyria, which he fears he would if she knew his true and selfish feelings.
He then explores his necrophilic urges by toying with her corpse; he holds her close to him, opening her eyelids and imagining the laughter that her blue eyes once shared.
The speaker seems to be unaware and carless of the fact that his lover is now dead for he shows no sign of acknowledgment except for a positive change in emotion.
One may fear asking the question what could he have possibly have gained from this — with the answer inevitably being the ability to do as he pleases with her body, and have full control of the relationship which he had felt emasculated of beforehand.
He now has the ability to pleasure himself in all the ways that he has always desired without having to handle her inferior and non-intellectual mind.
This is enough evidence for the speaker that what he has done is not wrong. From fear of the commitment that this man feels towards Porphyria, he begins to panic resulting in him murdering her.
The ending of this monologue leaves the reader wondering many things, the most prominent thought provoking being what happened next?The early poem “Porphyria’s Lover” () begins with the lover describing the arrival of Porphyria, then it quickly descends into a depiction of her murder at his hands.
To make the image even more grotesque, the speaker strangles Porphyria with her own blond hair. Porphyria s Lover is one of many poems by Robert Browning. In this poem a woman named Porphyria is killed by her lover. This man s obsession with Porphyria led him to murder.
“Porphyria’s Lover” by Robert Browning is a dramatic monologue.
The poem’s story comes from the mind of the man who waits for Porphyria. The poem belongs to the lover and his perspective. “Porphyria’s Lover,” which first appeared in , is one of the earliest and most shocking of Browning’s dramatic monologues.
The speaker lives in a cottage in the countryside. The speaker lives in . Critical Analysis of “Porphyria’s Lover” by Robert Browning Robert Browning wrote “Porphyria’s Lover” in the s.
The speaker is Porphyria’s lover and he speaks in a very solemn tone. The poem never divulges the two characters’ real names.
The mood is grim and despondent throughout the whole poem. Porphyria doesn't get any direct dialogue, and the entire poem is the speaker's (possibly internal) monologue. Eyes do most of the talking in "Porphyria's Cuddling by the Fire.