He describes the delicate balance of how to redress a wrong, making sure the wrong-doer knows what he has done but not becoming obsessed. The narrator assures us that Fortunato had no idea of this plot, because he continued to be friendly to his face. Because the narrator does not make clear the nature of the original wrongdoing, we as readers have no way of knowing if the punishment fits the crime, which in turn raises the suspicion that the narrator might be unjust, disingenuous, or insane.
|A Library of Literary Interestingness||Symbolism and Irony in "The Cask of Amontillado" written by: The story is rife with examples of symbolism and irony.|
|"The Cask of Amontillado" - an Analysis of Symbolism and Irony||The plot is relatively simple. Montresor seeks revenge on Fortunato for some unspecified insult by luring him down into his family vaults to inspect some wine he has purchased.|
|An Analysis of Edgar Allen Poe's 'The Cask of Amontillado' | Owlcation||The whole plot deals with the inebriation and, ultimately, the live burial of the antagonist, Fortunato.|
|Poe's Stories||Plot summary[ edit ] Fortunato and Montresor drink in the catacombs.|
|An Analysis of Edgar Allen Poe's 'The Cask of Amontillado' | Owlcation||You can read the story here. The story is narrated by the murderer, Montresor, who takes revenge on a fellow Italian nobleman, Fortunato, during the carnival season.|
This is an interest the narrator of "Amontillado" shares. And suitably, it was in a drunken state that Fortunato appeared to the narrator, dressed in a fancy costume of a striped dress and bells, during the carnival season.
The narrator and Fortunato have a lot in common. Whether the narrator and Fortunato run into each other at the carnival, or this meeting was cleverly engineered to seem like coincidence by the narrator, is never explained. Active Themes The narrator of "Amontillado" is very excited to see him and tells him about a predicament he has with some Amontillado wine, for which he has paid the price of a special vintage and is now unsure of its authenticity.
He compliments Fortunato on his knowledge and says he was silly to buy the wine without his advice. Active Themes The narrator of "Amontillado" tells him not to worry, that he is going to visit another expert, Luchesi, and he can tell that Fortunato is busy.
Rivalry is the vehicle of this story. He knows that by daring Fortunato, he can make him do anything. He had told them to stay in the house, but he had said that he would not return till morning, so he knew that they would have broken their word as soon as he left.
He fetches two torches from the walls and goes right down, through the levels of the house, to the vaults below. As they walk toward the Amontillado, Fortunato begins to cough from the damp clinging to the walls.
The narrator says they should go back, as he does not want Fortunato to get sick, but Fortunato denies that his cough is serious and demands that they go on. The narrator has used reverse psychology on his servants, manipulating them in the same way that he manipulates Fortunato.
He has arranged the whole thing. Now, the solitude of the Palazzo and the vulnerable position of Fortunato heightens the suspense. Active Themes The narrator of "Amontillado" suggests they drink some Medoc to protect them from the elements.
They journey further and further into the catacombs. The narrator explains that his ancestors, the Montresors were a large, wealthy family. Fortunato is pleased with this motto and the wine is making him giddy again.
It is affecting the narrator too. Wine is an important symbol in this story. Active Themes The narrator of "Amontillado" describes how the nitre is increasing as they go further in. They are now under the river bed, and there are bones and remains all around them, dripping with nitre.
He suggests they take another drink. Fortunato empties the bottle and then lifts it in a strange symbolic gesture, which he explains is from a brotherhood, the masons. The narrator insists he too is one of the masons, and produces a trowel from under his cloak as his symbolic gesture.
Fortunato is puzzled by this joke but they continue on, deeper and deeper, in search of the Amontillado.The short story “The Cask of Amontillado” by Edgar Allan Poe is full of situational and verbal irony.
Situational irony is when an event contradicts the expectations of the characters or the readers. Jun 13, · In November of , Edgar Allan Poe published a short story titled “The Cask of Amontillado.” In short, this story is about a man who desires to get revenge on someone else because of the insults he received.
The whole plot deals with the inebriation and, ultimately, the live burial of the antagonist, kaja-net.coms: "The Cask of Amontillado" (sometimes spelled "The Casque of Amontillado" [kaja-net.comˈʝa.ðo]) is a short story by Edgar Allan Poe, first published in the November issue of Godey's Lady's Book.
The story, set in an unnamed Italian city at carnival time in an unspecified year, is about a man taking fatal revenge on a friend who, he believes, . It is Edgar Allan Poe's intense use of symbolism and irony throughout the Cask of Amontillado that establishes the short story as an indeed interesting candidate worthy of thorough analysis.
The Cask of Amontillado Summary "The Cask of Amontillado" by Edgar Allan Poe, is a short story inspired by true events that took place on Castle Island, a . The workings of the narrator’s plan become clear as he manipulates his rival with flattery and the Amontillado’s legendary name.
Fortunato’s character remains obscured by the costume and drunkenness of the carnival, so it is difficult to form an understanding of him.