I tend to like a value of about 0. Custom top mat allows you to move the print up and down on the mount. Click the arrowheads beside the fields to increment the values, or click and drag the print with the mouse.
Post-Processing The final printed image is the culmination of my journey in creating a piece of artwork that represents my view of the world around me.
As photographers in the digital age we spend far too much time staring at our photographs on our computer screens and very little time holding them in our hands. I still take great pride in every print I produce.
There are a myriad of options for printing your work today, from canvas wraps to Metal prints, however for me there is something timeless and classic about a finely Matted and Framed print. There is a tremendous amount of information out there on how to produce a great print of your digital image.
However I was very surprised when I started my research that there was very little on the topic of properly matting and framing a print.
Today, I thought I would share my approach to matting and framing my fine art photographic prints with you. This is critical to ensure no dust or dirt reaches the print during the mounting process.
Matting and framing a print should be carried out swiftly and ensure the print is not left exposed to the elements. Before you start, make sure you have both plenty of room and everything you will need to mount and frame the print near to hand and nothing more.
One very important accessory you will need upfront is a pair of cotton gloves. These ensure none of the nasty chemicals are transferred to the print from your hands.
Creating a Hinged Mount Board Hinging the matte is a very common method used in fine art and offers complete protection for the print but also makes the removal of the print a simple process. Firstly layout the matte and under-mount side by side.
You can use a straight edge to ensure they are lined up exactly. When satisfied everything is straight use a pH neutral acid free paper hinging tape to tape the two boards together. Next trim off the edges with a sharp knife. Once trimmed run your gloved finger along the tape to ensure good adhesion.
A special cutting board is a useful investment as it both protects your work surface and is also very simple to clean. Positioning the Print When ordering a matte for your print you have a couple of options on window size.
Traditionally you would size the Matte window slightly smaller then the print.
With this larger window however accurate placement becomes one of the single most awkward steps in the process. Accurate placement is critical though to ensure the print is centered in the matte window.
The first step is to open the hinged mount and place the print flat on the under-mount. If you choose to size the Matte window larger then your print ensure the print itself includes about 1" of white space all around unprinted paper to give the mount something to grip.
To make it easier you can cut guides for each print size from heavyweight photographic paper. Make one for both the bottom and side that will allow you to line up the print on the under-mount perfectly.
Once lined up place a weight on the print. Not any weight though, something that will not damage the print. I use a very very soft sock, actually 2 socks one inside the other filled with coins. Next close over the hinged mount and make sure everything is centred and squared off.
Securing the Print Now that the print is perfectly placed in the matte you need to secure it. Use see-thru archival mounting strips instead. These strips are made so half their length contains a 2-ply conservation board and acid free adhesive and the other half a clear archival polyester.
Then reopen the hinged Matte to expose the print. Peeling of the protective plastic from the adhesive side place the strips around the print to secure it in place. The adhesive edge sticks to the under-mount while the clear archival polyester edge secures the print in place against the under-mount.
As you have included a 1" border all around the print not even this archival polyester edge touches the printed surface. Sign the Print So the print is now securely mounted within the hinged matte board. The entire process was done swiftly, in a clean environment, wearing cotton gloves and using only archival quality mounting products.
This is a very personal choice but something I will always do. If you have produced a stunning image that you are proud of and taken the time to carefully mount and frame it why not sign it? I sign both the print and the matte.The position property specifies the type of positioning method used for an element (static, relative, fixed, absolute or sticky).
An element with position: absolute; is positioned relative to the nearest positioned ancestor (instead of positioned relative to the viewport, like fixed). Finsta left a question in the forums: I am fairly new to web design, and I could never master the differences in positioning of elements.
I know there are. Finsta left a question in the forums: I am fairly new to web design, and I could never master the differences in positioning of elements. Frame contain page with one loading image whose.
In cinematography, composition refers to the frame of the image and how the elements of the mise-en-scène appear in it.
Composition guidelines must be observed when telling stories visually, as . The centering and resizing functions in the upper panel (except for custom top mat) are based on the visible area inside the frame.
The print position and mat . Learn the simple framing techniques that ensure accurately built, tightly framed walls. Wall Framing Tips for New Construction. lay out the stud locations. The goal is to position the studs every 16 or 24 in.
so that the edges of 4×8 sheets of plywood align with the . It's much easier to build the wall frame on the floor, then pivot it up into position. Lay out the 2” x 4”s for the wall frame with the studs 16" apart (measured on center).